October 12-13 2012,
University of Houston.
Info
Source: APILIST
lunes, 8 de octubre de 2012
18th Colloque International de Paléographie Latine. The scriptorium.
11-14 septiembre 2013,
St. Gall (Suiza).
–
PROVISIONAL PROGRAMME
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résumés
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Mercredi 11 septembre
1. La problématique des scriptoria
• D. MUZERELLE (Paris), A la (re)découverte des
scriptoria : l'exemple du Catalogue des manuscrits datés français.
• D. GANZ (Notre Dame, In.), Can a scriptorium always be identified by its products?
• D. GANZ (Notre Dame, In.), Can a scriptorium always be identified by its products?
2. Le développement historique des
scriptoria
• P. FIORETTI (Bari), Prima dello scriptorium.
Esperienze di produzione manoscritta comunitaria in età tardoantica.
• D. TRONCA (Verona), Lo scriptorum della cattedrale di Verona attraverso l'analisi dei manoscritti delle opere di sant'Agostino.
• L. REYNHOUT (Bruxelles), Scriptores de scriptoriis : mentions de " scriptoria " dans les colophons latins, les mots et les réalités.
• D. TRONCA (Verona), Lo scriptorum della cattedrale di Verona attraverso l'analisi dei manoscritti delle opere di sant'Agostino.
• L. REYNHOUT (Bruxelles), Scriptores de scriptoriis : mentions de " scriptoria " dans les colophons latins, les mots et les réalités.
3. Problèmes stylistiques.
• M. GURRADO (Paris), L'homogénéité graphique du
scriptorium de Saint-Pierre de Jumièges au XIe siècle.
• A.M.J. IRVING (Yale Univ.), Uniformity and Variability in Cassinese Gospel Books. A Case Study in Scriptorium Production Engineering and its Description.
• M. BERNASCONI REUSSER (Fribourg), Handschriften und Inschriften aus dem Kloster Allerheiligen in Schaffhausen (CH)
• Å. OMMUNDSEN (Bergen), Seeing scriptoria in scraps: Norwegian manuscript fragments and their historical context.
• A.M.J. IRVING (Yale Univ.), Uniformity and Variability in Cassinese Gospel Books. A Case Study in Scriptorium Production Engineering and its Description.
• M. BERNASCONI REUSSER (Fribourg), Handschriften und Inschriften aus dem Kloster Allerheiligen in Schaffhausen (CH)
• Å. OMMUNDSEN (Bergen), Seeing scriptoria in scraps: Norwegian manuscript fragments and their historical context.
4. La production documentaire des
scriptoria.
• P. ERHART (St. Gallen), Zwischen Kanzlei und
Scriptorium: Urkunden- und Handschriftenproduktion im Kloster St.Gallen in der
Zeit von Abt Grimald 841-872.
• M. MARCHIARO (Pistoia), La produzione documentaria e libraria nella canonica di San Zeno di Pistoia (sec. XI-XII).
• I. CECCHERINI & T. DE ROBERTIS (Firenze), Scriptoria e cancellerie nella Firenze del XIII e XIV secolo.
• M. MARCHIARO (Pistoia), La produzione documentaria e libraria nella canonica di San Zeno di Pistoia (sec. XI-XII).
• I. CECCHERINI & T. DE ROBERTIS (Firenze), Scriptoria e cancellerie nella Firenze del XIII e XIV secolo.
Jeudi 12 septembre
5. Tour d'Europe des scriptoria (I)
• M.R.B. MORUJÃO (Coimbra), Le scriptorium de la
cathédrale de Coimbra au Moyen Âge.
• M. WAGENDORFER (Wien), Welche Skriptorien? Zu Stand und Perspektiven der Skriptorien-Forschung in Österreich.
• GUÐVARÐUR M. GUNNLAUGSSON (Reykjavík), The Helgafell Scriptorium (Iceland, 14th cent.).
• M. WAGENDORFER (Wien), Welche Skriptorien? Zu Stand und Perspektiven der Skriptorien-Forschung in Österreich.
• GUÐVARÐUR M. GUNNLAUGSSON (Reykjavík), The Helgafell Scriptorium (Iceland, 14th cent.).
6. Tour d'Europe des scriptoria (II)
• J. ŠEDIVÝ (Bratislava), Gab es im
spätmittelalterlichen Pressburg ein Skriptorium?
• W. MROZOWICZ (Wroclaw), Das Schreiben im Kloster als Weise der Bereicherung der Klosterbibliothek (am Beispiel der Sammlungen der regulierten Augustiner-Chorherren zu Zagan/Sagan)
• H. PÁTKOVÁ (Praha), Between Middle Ages and modern era. Some remarks on the writing and scriptoria in the reformed Franciscan monasteries in Bohemia in the end of 15th and beginning of 16th centuries.
• W. MROZOWICZ (Wroclaw), Das Schreiben im Kloster als Weise der Bereicherung der Klosterbibliothek (am Beispiel der Sammlungen der regulierten Augustiner-Chorherren zu Zagan/Sagan)
• H. PÁTKOVÁ (Praha), Between Middle Ages and modern era. Some remarks on the writing and scriptoria in the reformed Franciscan monasteries in Bohemia in the end of 15th and beginning of 16th centuries.
Vendredi 13 septembre
7. Scriptoria et vie intellectuelle
• C. DENOËL & F. CINATO (Paris), Y a-t-il eu un scriptorium à
Auxerre au temps d'Heiric ?
• T.J.H. McCARTHY (***), The foundation and development of a Bamberg scriptorium: Frutolf of Michelsberg and his early twelfth-century legacy.
• G. MURANO (Firenze), Uno scriptorium di corte: Carlo d'Angiò e magister Faragius.
• T.J.H. McCARTHY (***), The foundation and development of a Bamberg scriptorium: Frutolf of Michelsberg and his early twelfth-century legacy.
• G. MURANO (Firenze), Uno scriptorium di corte: Carlo d'Angiò e magister Faragius.
8. Scriptoria et vie religieuse
• T. WEBBER (Cambridge), Script, book production
and the practice of the Rule at Christ Church, Canterbury in the mid twelfth
century.
• E. RUTHERFORD (Cambridge), The Dominican Scriptorium at St Jacques, and its production of liturgical exemplars.
• X. HERMAND (Namur), Entre le scriptorium et la cella : production communautaire et copie individuelle dans les monastères de l'ordre des Croisiers au XVe siècle.
• E. RUTHERFORD (Cambridge), The Dominican Scriptorium at St Jacques, and its production of liturgical exemplars.
• X. HERMAND (Namur), Entre le scriptorium et la cella : production communautaire et copie individuelle dans les monastères de l'ordre des Croisiers au XVe siècle.
9. Les méthodes de travail dans les
scriptoria
• C. EGGER (Wien), Die Suche nach dem
archimedischen Punkt. Methodische Probleme der Erforschung von Scriptorien und
Buchproduktion im 12. Jahrhundert am Beispiel von Admont und Klosterneuburg.
• R.G. BABCOCK (Chapel Hill, N.C.) & A. DEROLEZ (Ghent), [Defining a scriptorium on the basis of the correctors : the case of Gembloux.]
• D. STUTZMANN (Paris), Un couteau dans la main gauche ? Organisation du scriptorium et correction des textes d'après le feuillet de corrections du ms. Paris, Bibl. nat. de france, Arsenal, ms. 302.
• R.G. BABCOCK (Chapel Hill, N.C.) & A. DEROLEZ (Ghent), [Defining a scriptorium on the basis of the correctors : the case of Gembloux.]
• D. STUTZMANN (Paris), Un couteau dans la main gauche ? Organisation du scriptorium et correction des textes d'après le feuillet de corrections du ms. Paris, Bibl. nat. de france, Arsenal, ms. 302.
10. Productions spécifiques
• F. NEWTON (Duke Univ.), Proving the Existence of
a Scriptorium: The Case of the Early South Italian Liturgical Rolls (Saec. X
ex.) and the (Hitherto Unidentified) Scriptorium at Benevento from which They
Came.
• L. YAWN (Roma), Occasional Workshops and Clustered Production of Eleventh-Century Italian Giant Bibles and Patristic Manuscripts.
• L. YAWN (Roma), Occasional Workshops and Clustered Production of Eleventh-Century Italian Giant Bibles and Patristic Manuscripts.
11. Recherches en cours (présentations
sommaires)
• P. STOKES (London), The DigiPal Project for Late
Anglo-Saxon Script.
• A. PUGLIA (Arezzo), Scrivere nelle cattedrali della Toscana occidentale. Pisa, Lucca e Volterra nei secoli X-XII.
• E. NIBLAEUS (Erlangen), The Production of Liturgical Books for the Twelfth-Century Parish Church - Where and How?
• A. PUGLIA (Arezzo), Scrivere nelle cattedrali della Toscana occidentale. Pisa, Lucca e Volterra nei secoli X-XII.
• E. NIBLAEUS (Erlangen), The Production of Liturgical Books for the Twelfth-Century Parish Church - Where and How?
Hors programme
[horaire à déterminer]
[horaire à déterminer]
• E. TREMP (St. Gallen), Bedeutung und Organisation
des Scriptoriums im frühmittelalterlichen Kloster St. Gallen - das Zeugnis der
Geschichtsschreibung.
Source: APILIST
40th Annual Saint Louis Conference on Manuscript Studies.
11–12 October 2013,
Saint
Louis, Saint Louis University.
Keynote Speakers: Jeffrey Hamburger, Derek Pearsall.
* CALL FOR PAPERS *
Scholars are invited to submit paper proposals for the sessions
described below. Feel free to expand or redirect the focus of these
topics, in line with your own interests and/or research. The deadline
for submission of paper titles and abstracts of no more than 300 words
is January 15, 2013; please send them directly to Susan L’Engle.
Masterpieces
When considering manuscript production, what defines a masterpiece? Is
it a particularly well-written, well-scribed, well-painted book? Is it
an object that gains fame or notoriety for any variety of reasons? This
session seeks to reassess the term “masterpiece” in regards to
manuscript studies. Papers that identify any aspect of what makes a work
a masterpiece in the broadest or most minute sense of the word are
welcome.
Special Effects
Which visual or scribal effects go above and beyond the typical
decoration of a manuscript and make a reader say “wow!”? Leaves stained
purple, words written in gold, exquisite book binding, and trompe l’oeil
effects are only some of the visual fireworks that this session seeks.
Papers providing contextual or theoretical approaches to visual
exceptionalism are most welcome.
Provenance and Pedigree
Collecting and collectors are the focus of this session. What happens
when the reputation of a book comes from its owner rather than the
importance of the text, the author, or the artist? Conversely, could a
single book make the reputation of an entire collection? This session
seeks papers that address the post-production art market and the
bibliophilic tradition, medieval or modern.
Sex, Bawdiness, and the Troubadour Tradition in Manuscript Production
This session is dedicated to the tradition of luxury manuscripts
including popular music or romantic verse. Scholars are encouraged to
present papers with goliardic, secular themes and to consider such
questions as: Who was the audience or the artist of such manuscripts?
How were the books used? What was the process of transmission from oral
to written culture?
Medieval women and their books. Manuscript culture and devotion in Germany and the Low Countries.
12.X.2012,
Oxford, Somerville College,
Taylorian Institute.
PROGRAM
9.00–9.30
Almut Suerbaum (Oxford). Welcome and Introduction.
9.30–11.00
Ruth Wiederkehr (Zurich). Collecting Everyday Knowledge Quire by Quire – The Hermetschwil Prayer Book.
Susan Marti (Berne). Nuns as Book Illuminators – Liturgical Manuscripts from Mendicant Convents in Northwestern Germany.
11.15–12.45
Racha Kirakosian (Oxford). The Book as Embodiment of Divine Truth – The Mystical Account of Christina of Hane.
Elizabeth Andersen (Newcastle). Birgitta of Sweden and the Printing Houses of Lübeck –
From the Revelationes Sanctae Birgittae to the Sunte Birgitten Openbaringe.
Elizabeth Andersen (Newcastle). Birgitta of Sweden and the Printing Houses of Lübeck –
From the Revelationes Sanctae Birgittae to the Sunte Birgitten Openbaringe.
14.30–16.00
Joni de Mol (Leiden). ‘Nothing but the open heart of Christ’ – How Alijt Bake Dealt with Books.
Ed van der Vlist (The Hague). Books used by Late Medieval Monastic Women in Holland
Taylorian Institute.
Ed van der Vlist (The Hague). Books used by Late Medieval Monastic Women in Holland
Taylorian Institute.
17.00–18.00
Barbara Newman (Chicago). ‘Iam cor meum non sit suum’ – Exchanging Hearts, from Heloise to Helfta.
Source: APILIST
Novedades PARES.
La Sección de
Clero del Archivo Histórico Nacional participó en el Congreso conmemorativo del milenario de la fundación del
Monasterio castellano de Oña (Burgos) con un trabajo sobre los fondos
documentales de esta institución eclesiástica preservados en el Archivo,
elaborado por el responsable de esa sección:
LA
CRUZ HERRANZ, L. M. (2012), “El fondo del monasterio de Oña en el Archivo
Histórico Nacional”, en Oña. Un milenio: Actas del Congreso Internacional
sobre el monasterio de Oña, Burgos:
Fundación Milenario de Oña, 294-321.
También ha
aparecido un nuevo artículo en la revista “Cuadernos de Historia Moderna”, de
la Universidad Complutense de Madrid, acerca de los fondos documentales de la
Guerra de Independencia española (1808-1814), custodiados en el Archivo
Histórico Nacional, realizado por la responsable de descripción del centro:
ÁLVAREZ-COCA, Mª J. (2012), "Invasión francesa, gobierno intruso. Los fondos dela Guerra de la Independencia en el Archivo Histórico", en Cuadernos
de Historia Moderna vol. 37, 201-255.
Por último, en
el último número del “Boletín Informativo” del Sistema Archivístico de Defensa
(nº 21, junio 2012, 2ª época), se han publicado dos trabajos que tratan sobre
algunas de las fuentes documentales militares que podemos encontrar en los
Archivos Estatales:
ALFONSO
ALONSO-MUÑOYERRO, Mª B. de, "Fuentes en el Archivo Histórico Nacional
para el estudio del Desastre Militar en Marruecos en 1921: el 'Expediente
Picasso', la causa contra el mando y otros documentos", 3-15.
La autora es
responsable de la Sección de Fondos Contemporáneos del Archivo Histórico
Nacional.
CRESPO
MUÑOZ, F. J., "La documentación de Hacienda del Archivo General de
Simancas para el estudio del Ejército a fines del medievo", 32-39.
El autor es
técnico del Archivo General de Simancas.
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